Welcome to Your Comedy Layover...

Washington D.C. may not be a city that embraces comedy with open arms, but you knew that already. That is why you found us. Here you can get information, interviews and insights on the best local stand-up, improv and sketch comedy this city has to offer... 4 Now. You can reach us at dccomedy4now(at)gmail.com. LET'S DO THIS, DC!

Saturday, November 17, 2007

Tales from the Road: Bar None!

Disclaimer: My spelling and grammar is atrocious. I also like to use ellipsis A LOT. I'm bad at word play and thinking of titles that are creative. I almost named this one Chicken and Corn and it has nothing to with chicken or corn. But you'll have to deal with it. I'm an ICON and I wear Valour.

I had a one nighter last night at a bar in Baltimore. Bar gigs usually go two ways. "Painfully awful" and "only slightly awful". There are a few reasons for this and the one that tends to be the number one reason is that no one in the bar seems to to ever know that a show is going to be happening.

However, this was not the case last night because there was nobody there to not know that a show was going on. I got to the bar around 8:20 for the 9:00pm show and walked into the following scene.

(The bar had less people than this.)


That's a slight exaggeration. There were a group of 5 people gathered around a pool table. The bathrooms were right by the pool tables so as I was in the bathroom I could overhear one of the guys at the pool table saying "I just love alcohol" over and over. I was only in the bathroom for a couple of minutes. In that time the guy said that phrase 12 times. I love alcohol too, but when you proclaim your love for it out loud 12 times in a span of two minutes you probably have a problem with alcohol.

I had a couple of Poon Nation Fan club members show up so while I was entertaining them I looked over my shoulder to see the Booker/headliner having a heated argument with the bar manager. I excused myself from the discussion on how great I am and walked over to find out:

THE BAR DIDN'T HAVE A SOUND SYSTEM AND THE BOOKER/HEADLINER DIDN'T BRING ONE.

Apparently that was one minor detail that the bar overlooked and the Booker forgot to follow up on.

So we discussed our options:

(A bullhorn was actually discussed and quickly tossed out as an option because nobody has bullhorns.)


The lack of sound system overshadowed (and rightly so) the fact that by 9pm only a handful of people had showed up to see the show so the bar management decided that it would be "best" to cancel the show.

I still got paid which is rare for when shows like these get cancelled. So this bar gig will be filed under "only slightly awful". I have a make up date in January. I hope they have a sound system.
Read more!

Thursday, November 15, 2007

Philadelphia Improv Festival '07 Recap


Last weekend I performed with the Washington Improv Theater troupe Jackie at the Philadelphia Improv Festival . I went two years ago as a member of Season Six (where Stuart and I had the pleasure of meeting Philly's worst-whore-woman-beast of a bartender). This year marked PHIF's 3rd anniversary and it has already grown alot since it began. In fact, Philadelphia is very similar to DC's improv scene. It has a small community, in which there are just a handful of groups on the forefront. The main being the Philly Improv Theater, whose members created and produced the festival. Philadelphia's improv influences do travel far as groups from New York, Washington DC, Chicago, and LA all came to the city to perform.

What you get at the PHIF is a close group of fellow improvisers and a pretty good mix of talent, all of whom are eager to try something fun in front of a new crowd. Some of the troupes I enjoyed the most were The Gunshow (NYC), who did a fantastic long-form show involving a father trying to tell his son about sex as he is being hauled of to jail and 30,000kHz of Sound (NYC), a BAT show done completely in the dark. Unfortunately, there was also the "hahah poop!" induced shows that left me looking for the exit. But hey, that is what you get a an improv festival right? Overall, you get the sense that the PHIF is making quick strides to become something one everyone on the east coast looks forward to by sticking to their guns and inviting strong, long form based shows year after year.

Jackie had a great show, as did the other troupes from Washington Improv Theater; 161, Caveat and iMusical. Jackie's show actually marks the last performance of Zack Phillips in WIT. Zack has been incredibly instrumental in making Jackie and WIT what it is today and I am sad to see him go. Too bad he is just too damn talented. I need more dull friends, so they will never leave me! Zack, I wish you luck buddy.

iMusical actually closed out the festival Saturday night with one of their more silly performances, which included Jordan Hirsch singing to heart-broken parent Shawn Westfall about how "raising a hand to your child" was the fast way to gain back your child's respect. I loved it and I plan on using that advice when I have children. And yes, I will be singing as I do it.

Weird. How did Jay get in here?

Anyways a big thanks to Matt, Rick, Nathan and Alli for putting up the festival and inviting WIT again to join them. Philadelphia is like DC's sister city. I know there are incredibly talented improv comedians in both towns and it is up to people like WIT and the Philly Improv Theater to continue making sure people know about them.

Philadelphia Comedy: 4 Now? See you guys in 2008. Read more!

Wednesday, November 14, 2007

4 Now: Open Mic! Begins Nov. 19th!

It is our pleasure to announce that DCC4N will begin hosting an open mic every Monday night at Chief Ike's in Adam's Morgan.

That is right: comedy is back on Monday nights starting Nov. 19th!

Chief Ike's is "an un-fancy, kitsch-ily appointed hot spot for the young and fun" (AOL City Guide) and is no stranger to hosting live acts. We believe this is the perfect place to get the DC Comedy Community excited about Monday nights again.

When: Monday Nights @ 8:30pm
Where: Chief Ike's Mambo Room @ 1723 Columbia Road NW, Washington DC
phone @ (202) 332-2211


Any questions regarding the show? Contact us at dccomedy4now@gmail.com.
Read more!

Tuesday, November 13, 2007

Welcome DCC4N's newest contributer!

Our newest addition to the DCC4N family needs no introduction really. His unique brand of comedy has become somewhat of a staple here in Washington, D.C. He's performed numerous times at such clubs as the DC Improv and Baltimore's Comedy Factory, but that doesn't mean he is full of himself. He will still perform at the local Arby's (free sandwiches) and your kid's birthday party (or Bar Mitz-vah). Bottom Line: He is an born entertainer and he is guaranteed to give you a perspective of the DC Comedy scene you have yet to experience.

Ladies and Gentleman, please welcome..... Larry Poon.

Read more!

Boomer Sooner!!! ( A Tornado of Jokes)

This past weekend was one for the Books. I had a show in Norman, Oklahoma and had a reunion with 5 of my closest friends on the face of the Earth. Needless to say that I don't remember a lot of it, but thanks to photos I have memories. I won't talk about my reunion, but I'll blog about the show. Here we go...

I was nervous to perform in Oklahoma. Not because I didn't have faith in my material, but because I didn't have any faith in my material in that time zone. I know my jokes kill in Washington, DC and South Carolina, but was clueless as to whatSooners might find funny. I arrived in Norman on Thursday afternoon and until showtime on Friday night my performance weighed on me like a bag of doubt.

The Deli was the name of the venue that I played. I was opening up the band Galapagous, which my friend plays the keys for. The Deli isn't the most lavish of venues, but it's got heart and sometimes that's all you need. This was the first comedy show that this venue had ever had, and no one really knew howcomedy shows worked. So, I made sure that I had someone to bring me up and lay down some rules like "don't talk" and "pay attention" and "no cell phones". My friend "Crazy" Steve Baptist has a way with words so I asked him to bring me up. This is I got brought up: "If this guyaint ' funny...8-Balls for everyone!!!" That was the last thing out of his mouth. Do you know how much pressure you're under to be funny when the prize for your failure is free cocaine? I almost wanted me to fail just for the free blow. The street value of that 8-Ball would be more than what I got paid. (if you know the value of goodcocaine, then you know I didn't get paid much.)

I took the stage and talked about the free cocaine, the band for allowing me to open for them, and the lovely audience that came out early to hear live local stand-up comedy. That's the best feeling when people come out to support you, and they have never heard of you before. That's cool. I started off strong and kept it up the entire show. These people are in the middle of the plains and a lot of them have never even been to a live stand-up show before. It's an odd feeling to take someones live comedy cherry from them. Norman, Oklahoma I hope you enjoyed your virginity while you had it.

Everything was great up until my last joke. I started it and that's when this one guy felt it was time to inform me that I was Not Funny. He shouted out 3 times, so I took him up on his offer for conversation. He wanted me to know that he didn't want to say what he said, but felt he had to say it. I asked him why he didn't want to speak his mind in the middle of my show, and he responded with "causeI's tryin ' to be nice and didn't want to cause a problem." To which I responded, "and you are aware that that is exactly what you're doing now, right Sir?" I got a huge applause from the crowd, and finished my joke to laughter.

After the show I am taken aside by a guy who really enjoyed my show. I'm pretty sure he did because he kept shaking and holding my hand as he mumbled. He was Native American and loved me. He invited me to his house for a drum circle. I'm not making that part up. He invited me to beat on his tom tom's. So, just as Shakes to Much Hands was talking to me, the Heckler walks up to me. "Hey, you shouldn't make fun of god!" I reply, "I wasn't making fun of god, I was talking about people using god to advertise, especially Christians." Then he says, "You need to respect god, or you'll likely to your ass kicked!" I brushed him off and let it go, but Shakes to Much Hands didn't. He assured me in a mumble that he'd kick his ass long before he got to me. I like Native Americans. Why do ignorant Christians automatically turn to violence when they feel that their values are attacked? Becauseopenin' a big ol ' can of whoop ass is just what Christ would do. The main reason I'm not a Christian is because I don't want that guy on my team. If I had to go to Heaven and be surrounded by all of those people and NOT commit a sin against them, I'd go crazy.

This is how the rest of my trip went:
Read more!

Monday, November 12, 2007

Maria Bamford: Too funny for soap?


I just came across this hilarious tidbit about Maria Bamford's Dad running a campaign against the use of soap. His substitute for soap? A block of wood. Unfortunately, I think he's still pro-showering.
As you may have read on this blog, Ms. Bamford is currently DCC4N contributer Jason's crush du jour. Will this have any impact on his feelings? Word on the street is that he likes his ladies smelling good. This is the most Page Six-like post I have ever written. And it feels gross. But not gross enough for soap. Read more!

YouTube Monday: "That is Not Funny" Edition

...They'll say, "you can't joke about rape. Rape's not funny." I say, "fuck you, I think it's hilarious. How do you like that?" I can prove to you that rape is funny. Picture Porky Pig raping Elmer Fudd. See! Hey, why do you think they call him "Porky," eh? I know what you're going to say. "Elmer was asking for it. Elmer was coming on to Porky. Porky couldn't help himself, he got a hard- on, he got horny, he lost control, he went out of his mind." ~George Carlin

Like most things regarding comedy & language (and life in general) Mr. Carlin is right. It all depends on how you construct the joke. What the exaggeration is. Because every joke needs one exaggeration. Every joke needs one thing to be way out of proportion. Want more proof?

Here is a great sketch by NYC's Derrick.


Bonus video: Hot new shades! by Jon Lajoe Read more!

Thursday, November 8, 2007

Reminder: Big Show tonight @ 18th & Red


The Bomb Shelter @ "18th & Red" get's written up by THE ONION'S A.V. CLUB tonight!

The show will include the comic styles of:
Seaton Smith, Kojo Mante, John McBride, Aparna Nancherla, Bryson Turner, and Erin Jackson.

Please, come show your support for local comedy and give the AV Club a big "HELL YES!"

WHERE: 18th & Red (In Adams Morgan across from The Diner)
WHEN: 9:00pm (starts promptly)
Read more!

Wednesday, November 7, 2007

Get MORTIFIED tonight @ HR-57


What is worse than sharing your deepest highschool secrets with complete strangers? What would be worse than if a bunch of people you didn't know start pouring thorough your journal, poems and sketches revealing what they already knew: you are a total dork.

What is worse than that? WAIT....what is FUNNIER than that?

Get Mortified answers that question by bringing their unique show tonight to HR-57. From their website:

Ripped from the pages of real life... Mortified is a comic excavation of adolescent artifacts (journals, letters, poems, lyrics, home movies, stories and more) as shared by their original authors before total strangers...After all, where else can you hear grown men and women confront their past with firsthand tales of their... first kiss, first puff, worst prom, fights with mom, life at bible camp, worst hand job, best mall job, and reasons they deserved to marry Bon Jovi?

Wow, this sounds great. Please check them out tonight:

WHERE: HR-57 1610 14th Street NW, 20009
WHEN: 7:30 pm
HOW MUCH: $15 at door, $12 adv. Read more!

Differences between DC and NY Part 2: Hanging out.


So I've mentioned some differences between these two fair cities before when i talked about getting paid for standup or even when I talked about getting all pouty about a lack of available stagetime. Well this one is sillier.
I noticed that comics here tend to get to shows really early and hang out for an hour or more before the show. But when the show is over, whoever is still around immediately bolts. However, in NY, you'll be lucky if all of the performers have shown up by the time the show was scheduled to start, because you know the audience hasn't. And after the show, it's time to get drunk and hang. Boy do I miss that. Basically I'm saying that I want to get drunk, and not alone. Come on people. Does this city not hang out late night?!
Now I realize that one reason is because in NY I'm mainly talking about shows that have already booked the comedians. Therefore, no one is getting there early, hoping to get a spot. DC unfortunately is severly lackng in these types of shows so pretty much every show you're going to is an open mic, with an extremely long list of comedians performing. Probably another reason is that NY is a night owl friendly town. Where in DC, if you haven't hopped on the metro by midnight, your shit out of luck and are sleeping on park bench.
ANyway, blah blah blah, if you see me at a show, and are wondering if I want to get drunk and bullshit for a couple of hours afterward...I do. Ask me. I'm jonesing, son! Read more!

The Onion's A.V. Club checks out The Bomb Shelter this Thursday!



The Bomb Shelter @ "18th & Red" get's written up by THE ONION'S A.V. CLUB this Thursday, November 8th!!!

The Bomb Shelter is pleased to inform everyone that our showcase was selected to be written up by The Onion's A.V. Club. They'll be reviewing live, local comedy in The District. PLEASE COME SUPPORT THIS SHOW!!! This will be a great line-up of local comics.

The show will include:
Seaton Smith, Kojo Mante, John McBride, Aparna Nancherla, Bryson Turner, and Erin Jackson.

John McBride and Jay are the two guys who run the room, and we would really appreciate the support. This is a huge thing to be featured in The Onion and I'd love for 18th & Red to be packed out with fellow comedians and our friends. We think it's great that the Comedy Newspaper in DC is going to review a locally run comedy show by local comedians. If you are able to come out and support the show we would be very greatful, and you'd be greatful because it's going to be a great show.

WHERE: 18th & Red (In Adams Morgan across from The Diner)
WHEN: 9:00pm (starts promptly)
Read more!

Monday, November 5, 2007

Who Put Her on the Guest List?

So the club comedy ladder to success roughly works like thees.

You start out as an MC (i.e., host).

Den if yer good enough and have enoff material, you kin be a feature.

And one day if you survive "the game," you can hustle your way into a headliner spot.

That begs (or maybe panhandles) the question, where does the elusive guest set fit in?

Well, I'll tell you what. A guest star on a TV program is usually a movie star who has lowered their standards for a small chunk of time for the purpose of prostituting themselves and their career on a small gray screen as opposed to a ginormous silver one. But still, the point is, people still get excited! People watch! People coo! People ooh! whaddhya mean movie star on da tee-vee?! just tell me when and what channel!

By contrast, a comedy guest set is not quite as glamorous if you don't have the name recognition to back it up. Don't get me wrong. It's still impressive to be on the same bill as working comedians, but a guest set is also a timefiller and unless you're a special unannounced drop-in whose last name rhymes with Crosby or Steinmeld…it will probably be a tiny taste of amateurs gone wild (I only speak for my own act, so keep your panties bundlefree)!

So I had a guest set last night at the DC Improv. Thankful? Extremely so and other suckity-uppers. How did it go?! The guest set itself was fun. I had a good time! I made people expel puffs of air in guttural bursts. I left no premise unturned (this is a blatant exaggeration). I think I lost them a bit at the end, but you know, you're supposed to get the audience crimping for more professionalism. That's yer job and yer place in the entertainment social hierarchy.


is this thing on?
photo courtesy of Flickr and hiddedevries

But the weird part was what happened after the set. Y'see, how you feel about your comedy can be kind of superficial sometimes. And as much as I want to say I'm not dependent on external praise, well, that's just exactly it y'see, I'm dependent on external praise. That's part of the reason many (if not most) stand up comedians do comedy.

Sometimes I value a set by how I feel I did. But it's easier to be like Well, so-and-so said I'm awesome, and so-and-so is important and holds power. Thereby, I can feel good about myself until this high runs out, and I need to go back to my dealer (i.e., another show).

Or more realistically, Well, so-and-so didn't even talk to me, and so-and-so is important and holds power. Thereby, nothing I do is or has ever been of any consequence so I need to go home, write another angst poem, and put on more black eyeliner immediately!

Here was the guest set fallout, boyeee:

The headliner wasn't even aware I did a set. And fine. Why should he know or care?

But it was sad when I told him "I liked your stuff" and he looked at me like "that's nice. Why should I care?" And I was thinking "Well, you shouldn't really care."

But I think he sensed the desperation in my eyes because he was like "Are you a comic?" And I said "Meep. Yes."

"Are you local?"

"Yes."

"Did you go up?"

"Yes."

"How was it?"

"Oh, fun! The audience was a little weird though, you were right." (he called them weird! Not me! I was calling back to his set!)

"Yeah well, that's the kind of people I bring in."

*half turns around and walks away*

Awesome! Really glad we talked! Thanks for the advice! Has anybody perchance seen my sandhole?

The feature act was kinder in acknowledgement, and said "G'job, sweetheart!" with a medium-firm handshake. I liked everything except the 'sweetheart' tag. It's one thing if a male comedian would have gotten the exact same praise but somehow adding the 'sweetheart' to the end was like candy-necklacing the whole gesture. To candy-necklace is a verb I just made up that means 'trying to sweeten something up but creating the opposite effect.' Like if you put a candy necklace on a mean person…not only does it fail to make him or her sweeter, it grates at you even more that such a vile person is wearing a candy necklace.

Finally, the peanut gallery of postshow appraisal (which refers to the audience coming up to you after a show) can often flavor an otherwise blasé night savory and rich. The weird thing is I got no feedback from any women. Sometimes women don't like female comics, or maybe I didn't "speak" to any of them. I mentioned my period once. I don't get it.

Oh wait, I just remembered. I did get a smile from an Asian girl. But I don't know if that was intentional or if I was just in her line of sight and she was one of those always-smiles-to-prevent-any-and-all-possible-confrontations types. But here were my other earnings (I identify by race for my own useless purposes. It's not of any importance or weight so lay off!):

**old white man who said "nice work" in a very serious fashion (I like that I have a fan contingent in the old man department but the fact that he gave me this compliment while half-frowning makes me feel iffy about that whole thing. Like it was community service or something.)

**middle-aged white man who said I did great (he leaned across a circle of people to say this which upped the self-esteem boost a little higher than usual…he went out of his way!)

**tall buff black man who shook my hand and said he enjoyed the show (he could have said that to all of the performers but I choose to believe he decided to shake my hand and praise me to my face on behalf of the entire lineup plus he was so tall I was really tickled he even looked down to acknowledge me – my head came up to about his kneecaps).

**small asian man with distinctive ears (nodded rapidly and said "I really liked your stuff" AND shook my hand. I wanted to lie down after this compliment. It was powerful.)

**youngish white man with unidentifiable accent who was pretty effusive in his praise of me but said it the way you would say it to someone who needed their spirits raised (but was also a loud heckler at the end of the show which made me a little doubtful about whether his praise should even count or not), and then he tried to tell me a joke that I didn't understand at all hence rendering the social interaction a failure overall.

In conclusion, the night was a success!!! And earlier that day, I got to cuddle a puppy, and she was so excited about it, she peed on my foot!


a giddy attack of self-esteem
photo courtesy of Flickr and nouveau
Read more!