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Showing posts with label ryan conner. Show all posts
Showing posts with label ryan conner. Show all posts

Wednesday, March 5, 2008

Plea for DC's Help


DC-now-NYC comic Ryan Conner received some troubling news regarding his adopted Chinese brother Dong recently. Please read his blog, write your representative in Congress, and let people know.

From a post dated 3/4/2008:
"My mom called this morning with different news. Dong was arrested at his house at 6AM by DHS officials, and taken into custody. He called my mom and told her not to worry about him. He insisted that everything would be fine. We all know what will happen if he's sent back to China. The US Government knows. Anyone who wants to know, knows. South Park did an episode about this. The information is out there, but ignored."

"Not only was he taken into custody, but they won't tell him, or my family, where he'll be held, for how long, why, or anything. All they'll say is that his earlier deportation order trumps his work permit. My mom hasn't been able to speak to any DHS official, only voicemail. Dong wasn't able to speak to his lawyer directly. But the lawyer was given the order to do whatever he has to do.

The irony of this is that there are millions of American criminals in this country. There are countless Americans who hate the country. There are tens of millions of Americans who don't know how lucky they are to live here. They take it all for granted. There are also thousands of illegal immigrants who are criminals. Millions of illegal immigrants don't pay taxes. Dong was arrested this morning because he does everything by the book. That's how DHS knew where he was. He pays taxes. The government knows who he is and where he is, because he pays taxes. He never hid anything because he's trusted the government to do the right thing. Dong does everything a citizen should do, and he's been prosecuted, while the murderous Snake-Heads roam free."


Here is a link to Ryan's full post and updates.
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Friday, February 1, 2008

"Heroes of Music" perform @ the DC9


According to Websters dictionary a hero is defined in Classical Mythology as a being of godlike prowess and beneficence who often came to be honored as a divinity. Larry Poon, Crucial Element and Jimes represent the Heroes of now. Join them on February 10th at the DCNine.

Tickets a $8

You don't know who Jimes is? Click here.

Who are Crucial Element? Click here

For more on Larry Poon click here and here, but whatever you do don't click here

Heroes of Music

February 10th

DC9

1940 9th Street NW

Doors open at 8pm


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Thursday, January 10, 2008

4 Then Interview: Ryan Conner

Have you ever thought: What has Ryan Conner been doing since he was last in DC, crushing at Poonanza 5? I asked myself that question and then I asked Ryan. That is how I do. Enjoy!

Since leaving DC for the dream of being a famous comic in New York City, Ryan Conner has performed at such notorious clubs as The Comedy Cellar, Caroline's and Comix. He can also be heard regularly on XM radio.

Ryan returns to DC this weekend to feature for Dennis Regan (Thursday, Saturday and Sunday Nights) @ The DC Improv.

Also, Crucial Element, a fake rap group that he is in will be performing at DC9 with Larry Poon and Jimes. Get tickets on the DC9 site. They're only $8.

What have you done since leaving DC?

Hm. I got a new iPod, an 80GB. It was a huge upgrade from a Generation 4 iPod. It's not technically HD, but it looks close enough to me. I'm also on the verge of becoming "very good" at guitar, after being "pretty good" for a while. I can do more pull-ups than I've ever done in my life. In middle-school and high-school, I would have got the Presidential Physical Fitness t-shirt every year, if I could do more pull-ups. I think I only go the shirt once, or maybe twice.

[Hit the jump for the rest of Ryan's interview, plus a video!]




How long were you performing in DC and what were your favorite rooms?

I performed in DC for three years before moving to DC. Aside from the Improv, my favorite room was Dr. Dremos. Every Wednesday, for well over a year, it would have a packed crowd that was ready for comedy. Topaz was either really good or really shitty each week. I had the same routine for both shows. I would go to Rory's house to hang out for a while before going to the shows. When I arrived at his house, he would either be jerking off in his room, or trying to make me think he was jerking off. About once per week, he would try to trick me into looking at his mangina. He only got me once. Those were erotic days. Anyway, Curt Shackleford's rooms (Dremos, Topaz, Shula's and Comedy Spot) were Crucial Elements (marketing) in my development.

This is going to sound crazy, as I think I'm the only person who would say this, but I really liked Murky Coffee in Arlington. It was a coffee shop open mic, run by Paula Dellert. The crowds were small, but attentive.

Soho was great for two years. And for the last year I was there, I had to be talked out of killing myself every time I left that place.


When did you decide it was time to move?

I didn't really have a choice. Someone referred me for an audition at the Comedy Cellar. A couple weeks before the audition, I got lucky and the GM of Caroline's saw me and passed me. Then I went for my Cellar audition, probably more nervous than I was before my first show, and had a strong set. Seconds later, I was told I passed the audition, and that I could start calling in my avails. That changed everything. If you pass the Cellar when you've only been doing comedy for two years, you move and figure everything else out. I was unable to actually live in NYC until Feb 07, but I called in my avails at the Cellar every week as if I lived in NYC starting in Feb 06. I drove to NYC for 15 minute sets each week until I moved.

How did your time in DC prepare you for performing in a bigger market?

There's industry in NYC. DC doesn't prepare you for industry sets, which are short and cheesy. DC prepares you to be a good, original comic, which I think is more important than doing a killer 7 and getting TV credits left and right, which is what NYC and LA prepare you for. But I don't look at NYC as a bigger market. A show is a show. It doesn't matter what the city is, or how many people are in the crowd. Sure, some shows are great, and some suck. But most are just shows. You just do your thing regardless of the circumstances. To quote Magic Johnson, and I think DCComedy4Now is due for a good Magic Johnson quote, "Basketball is basketball." And while we're at it. "Everything is everything." -Lauren Hill

What are you now able to do that you couldn't do in DC?

I can spend two hours traveling as little as three miles. That's the walking speed of an old, fat person. It's also the speed of a car in NYC, and public transportation. Greatest city on earth. I also have the privilege of going outside, closing my eyes, inhaling and thinking that I'm in a landfill, or a piss garden. Other things? Let's see... I'm able to allow complete strangers be a complete asshole to me for no reason. Oh yeah, I get to park a little over a mile from my apartment too. Parking over a mile from my apartment is my favorite.

Pizza is good.

And performing at the Comedy Cellar is great. Performing at other places is very good.


What do you miss most about DC?

I miss being able to determine my own comedy schedule. In NYC, I'm at the bottom of the food chain. So, I take whatever shows people can give me. Sometimes, people don't have shows to give me. In DC, everyone who runs shows has been very good to me and given me stage time whenever I'm around. Also, I really enjoy hanging out with comics in DC. Many DC comics are some of my closest friends. In NYC, it rarely feels like you're hanging out with people. It usually feels like people are networking. Not always the case, but often. While I'm mentioning NYC comedy, here are some comics there who I find funny, who you might not know about (in the order in which I type them): Kurt Metzger, Kevin Williams, Sean O'Connor, Jeremy Schachter, Vince Averill, Jesse Popp, Gabe and Jenny, Craig Baldo, and other people.

Word to your mothers.



A few jokes (early versions)

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